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LaMonica Curator's avatar

There is something to be said for distinguishing self funding projects as resistance. This is the goal. Connecting art with money is what I used to do very actively. The landscape is changing. Where yo find the money is changing too.

Creating proposals for art projects which are effective and realizable in the new environment is key. In some instances, projects may have to be done in other countries and brought in. We don’t know how far our restrictions will go when it comes to looking for free uncensored presses for printing, public spaces that will allow murals which haven’t been vetted politically, or performances in theaters which challenge the new norms without theaters being closed down. There is a whole new set of conditions under which art resistance must take form.

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Ellis Knightingale's avatar

I enjoyed both posts this morning, "Preserving Pompeii" and "Silence is not an Option" - thank you! I was struck by the dilemma of appreciating the art and culture of the House of the Faun, owned by Pompeii's wealthiest, while feeling anger toward today’s "Oligarchy" and their influence over the Trump administration. I’m sure the art in some of today’s residences is stunning too. I wonder if artists in Pompeii felt the same way we do now?

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